In April 2008, demolition of Southwark Towers was visibly under way, and by October, the building had been substantially reduced in height, and was no longer visible on the skyline. However, this price increased to almost £435 million in October 2008. In November 2007, building contractor Mace was awarded the contract to build the Shard for a fixed price of no more than £350 million. However, later that same month, turbulence in the financial markets reportedly put the Shard's construction in jeopardy, threatening to render the project an example of the Skyscraper Index. In September 2007, preparations for the demolition of Southwark Towers began. Vacant possession of the site was secured a year later, after PricewaterhouseCoopers completed the relocation of their operations. This enabled them to pay off the costs already incurred and to buy out the Southwark Towers occupational lease from the building's tenants, PricewaterhouseCoopers. Sellar and his original partners CLS Holdings plc and CN Ltd (acting for the Halabi Family Trust) secured an interim funding package of £196 million in September 2006 from the Nationwide Building Society and Kaupthing Singer & Friedlander. The Southwark Towers office block, which was demolished in 2008 to make way for The Shard He is satisfied that the proposed tower is of the highest architectural quality. For a building of this size to be acceptable, the quality of its design is critical. Mr Prescott would only approve skyscrapers of exceptional design. The inquiry took place in April and May 2003, and on 19 November 2003, the Office of the Deputy Prime Minister announced that planning consent had been approved. In July 2002, the then- Deputy Prime Minister, John Prescott, ordered a planning inquiry after the development plans for the Shard were opposed by the Commission for Architecture and the Built Environment and several heritage bodies, including the Royal Parks Foundation and English Heritage. According to Sellar, Piano spoke of his contempt for conventional tall buildings during the meal, before flipping over the restaurant's menu and sketching a spire-like sculpture emerging from the River Thames. Sellar flew to Berlin in the spring of 2000 to meet the Italian architect Renzo Piano for lunch. In 1998, London-based entrepreneur Irvine Sellar and his then-partners decided to redevelop the 1970s-era Southwark Towers following a UK government white paper encouraging the development of tall buildings at major transport hubs.
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The psychedelic and classic rock songs on the soundtrack includes songs from Big Brother and the Holding Company, Jefferson Airplane, Bob Dylan, Buffalo Springfield, and the Dead Kennedys. It contains songs used in the film with sound bites of the film before each song. The music is perfectly fitting in the psychedelic story of the movie. The film details the duo's journey through Las Vegas as their initial journalistic intentions devolve into an exploration of the city under the influence of psychoactive substances. 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It represents the Heart of the Ocean and the history of the Titanic. "Distant Memories" - This leitmotif contains synth choir vocals and an aquatic, chiming tone.Parts of its can be heard in "Hymn to the Sea". This theme is first heard when bringing the safe up to the research vessel Akademik Mstislav Keldysh. This melody features an electronic choir and snare drum clumps. "Southampton" - Uplifting, adventurous and rather heroic-sounding theme which signifies the spectacle of the Titanic.Also used in the intro of My Heart Will Go On by Céline Dion, which is the theme to the movie. A more dramatic and rousing version is heard when Rose jumps back on the ship to Jack, and when Jack and Rose reunite on the ship's Grand Staircase during the so-called dream sequence at the end of the film. Furthermore, the track contains a menacing, descending, three-note motif which signifies the wreck of the ship and is first featured when Titanic 's wreck site comes in view at the beginning of the film. An alternate version is first heard in the film's opening sequence. This theme contains uilleann pipes and vocals by Sissel Kyrkjebø. It's also featured prominently in "Never An Absolution". "Hymn to the Sea" - A sorrowful, melancholic theme which expresses the tragic side of the Titanic.Throughout the film, the composer created themes for particular characters, events, locations, and ideas. ("Hard to Starboard") The short, ominous cue associated with the iceberg. The idea behind using electronics, rather than a real choir, stemmed from Horner wanting to avoid a 'church'-like sound. He mentions in the liner notes to the song "In My Arms Again" from his 1998 album Live the Life "Inspired and written for the movie Titanic, grateful for the opportunity to send them a song grateful it landed on this record."įor the choral background of certain tracks, Horner made use of a digital choir instead of a real one after the orchestral music was recorded, Horner personally performed the synthesized choir over a playback of the recording. Other artists were invited to submit songs for the movie including contemporary Christian artist Michael W. "My Heart Will Go On" also ended up winning the 1997 Academy Award for Best Original Song as well as the Golden Globe Award for Best Original Song in 1998. "My Heart Will Go On" became a worldwide smash hit, going to the top of the music charts around the world. Cameron changed his mind when Horner presented the song to him. Without telling Cameron, he went ahead and wrote the song anyway, and recorded Dion singing it. At first, Cameron did not want a song sung over the film's ending credits, but Horner disagreed. Ĭéline Dion, who was no stranger to movie songs in the 1990s, since her contribution to Walt Disney's Beauty and the Beast, sang " My Heart Will Go On", the film's signature song written by James Horner and Will Jennings. Horner had tried 25 or 30 singers and, in the end, he chose Sissel to sing the wordless tune. Horner knew Sissel from the album Innerst i sjelen and he particularly liked how she sang the song Eg Veit I Himmerik Ei Borg ("I Know in Heaven There Is a Castle"). Horner composed the soundtrack having in mind Enya's style Norwegian singer Sissel Kyrkjebø performed the wordless vocals on the soundtrack. Their relationship was strained after their first collaboration in Aliens, but the soundtrack of Braveheart made Cameron overlook it. After she declined, he approached James Horner. In 2017, La-La Land Records released the 20th Anniversary Edition in a limited edition 4-disc release.ĭirector James Cameron originally intended Enya to compose the music, and in fact put together a rough edit of the film using her music as a temporary soundtrack. In 2012, the album, along with its successor Back to Titanic (1998), was re-issued as part of the Collector's Anniversary Edition set for the 3D re-release of the film. It is one of the best-selling albums of all time, and the highest-selling primarily orchestral soundtrack ever. Riding the wave of the film's immense success, the soundtrack shot to the top of the charts in nearly two-dozen territories, selling over 30 million copies, making it one of the top 100 best-selling albums in the United States. The soundtrack was released by Sony Classical/Sony Music Soundtrax on November 18, 1997. Titanic: Music from the Motion Picture is the soundtrack to the film of the same name composed, orchestrated, and conducted by James Horner. |
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